Cellist Ani Aznavoorian and pianist Marta Aznavoorian, each a renowned soloist and chamber musician in her own right, together celebrate the sounds of their ancestral homeland on Gems from Armenia. The album marks the Chicago-raised sisters’ recording debut as the Aznavoorian Duo.
Their panoramic survey of Armenian classical music opens with ancient folk songs arranged with haunting harmonies by early 20th-century Orthodox priest, composer, and musicologist Komitas Vardapet.
The Armenian musical renaissance of the Soviet era finds expression in Aram Khachaturian’s glorious ode to his hometown of Yerevan; Arno Babajanian’s impassioned tribute to his mentor Kachaturian; the early Sonata for Cello and Piano by Avet Terterian, whose admirers included Dmitri Shostakovich; and the Impromptu of Alexander Arutiunian, winner of many Soviet and Armenian musical honors and awards.
Contemporary voices include Serouj Kradjian, whose “Sari Siroun Yar” is an arrangement of an Armenian troubadour love song. Vache Sharafyan’s Petrified Dance is haunted by the memory of Armenian soldiers lost in recent battles. American Peter Boyer’s Mount Ararat, commissioned for this project and receiving its world-premiere recording, evokes the snow-capped twin peaks of biblical fame central to Armenian national and religious identity.
A personal note from Ani & Marta Aznavoorian
It’s an odd feeling being completely connected to a culture, but never fully immersed in it. Our parents ensured that we grew up with traditional Armenian values and all the splendors of Armenian home cooking (thanks Mom!), but the desire to visit our homeland was difficult to suppress. We were thrilled finally to have the opportunity in 2017, when we were invited to perform our debut recital in the celebrated Khachaturian Hall in Yerevan.
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Cellist Ani Aznavoorian and pianist Marta Aznavoorian, each a renowned soloist and chamber musician in her own right, together celebrate the sounds of their ancestral homeland on Gems from Armenia. The album marks the Chicago-raised sisters’ recording debut as the Aznavoorian Duo.
Their panoramic survey of Armenian classical music opens with ancient folk songs arranged with haunting harmonies by early 20th-century Orthodox priest, composer, and musicologist Komitas Vardapet.
The Armenian musical renaissance of the Soviet era finds expression in Aram Khachaturian’s glorious ode to his hometown of Yerevan; Arno Babajanian’s impassioned tribute to his mentor Kachaturian; the early Sonata for Cello and Piano by Avet Terterian, whose admirers included Dmitri Shostakovich; and the Impromptu of Alexander Arutiunian, winner of many Soviet and Armenian musical honors and awards.
Contemporary voices include Serouj Kradjian, whose “Sari Siroun Yar” is an arrangement of an Armenian troubadour love song. Vache Sharafyan’s Petrified Dance is haunted by the memory of Armenian soldiers lost in recent battles. American Peter Boyer’s Mount Ararat, commissioned for this project and receiving its world-premiere recording, evokes the snow-capped twin peaks of biblical fame central to Armenian national and religious identity.
A personal note from Ani & Marta Aznavoorian
It’s an odd feeling being completely connected to a culture, but never fully immersed in it. Our parents ensured that we grew up with traditional Armenian values and all the splendors of Armenian home cooking (thanks Mom!), but the desire to visit our homeland was difficult to suppress. We were thrilled finally to have the opportunity in 2017, when we were invited to perform our debut recital in the celebrated Khachaturian Hall in Yerevan.